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Belief, History and the Individual in Modern Chinese Literary Culture Editor: Artur K. Wardega, S.J. Date Of Publication: Jun 2009 Isbn13: 978-1-4438-0571-1 Isbn: 1-4438-0571-8 A value system in constant change; a longing for stability amid uncertainties about the future; a new consciousness about the unlimited challenges and aspirations in modern life: these are themes in modern Chinese literature that attract the attention of overseas readers as well as its domestic audience. They also provide Chinese and foreign literary researchers with complex questions about human life and achievements that search beyond national identities for global interaction and exchange. This volume presents ten outstanding essays by Chinese and European scholars who have undertaken such exchange for the purpose of examining the individual and society in modern Chinese literature. Artur K. Wardega, S.J. (万德化) is Director of the Macau Ricci Institute in Macau, China and specializes in 20th century Chinese and French literatures. He has written several articles published in 神州交流Chinese Cross Currents and in scholarly journals in China and abroad. His recent publications in Chinese include a trilingual book entitled The technique of mise en abyme as employed in André Gide’s The Counterfeiters (Central Compilation & Translation Press, Beijing, 2007) and French translation of the novel 笠山农场Li Shan Nongchang by 钟理和 Zhong Lihe (1915-1960), under the title La Ferme du Mont Li (Artois Presses Université, Arras, 2009).
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Sample pdf (including Table of Contents)
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Sabina de Cavi’s Architecture and Royal Presence: Domenico and Giulio Cesare Fontana in Spanish Naples (1592-1627) is an exemplary interdisciplinary study of the relationship between politics and art history. No finer or more vivid investigation exists of the role of the Spanish viceroyalty in Neapolitan architecture during its formative years. It offers an unparalleled examination of the viceregal claims to legitimacy, casts brilliant light on the relationship between architecture, etiquette and ceremonial, and makes clear the critical role played in these developments by the remarkable architecture of Domenico and Giulio Cesare Fontana.
David Freedberg, Pierre Matisse Professor of the History of Art, Columbia University
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Last Updated ( Jun 23, 2009 at 11:00 AM )
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