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Muslim Societies in the Age of Mass Consumption: Politics, Culture and Identity between the Local and the Global Editor: Johanna Pink Date Of Publication: Dec 2009 Isbn13: 978-1-4438-1405-8 Isbn: 1-4438-1405-9 In the course of the 20th century, hardly a region in the world has escaped the triumph of global consumerism. Muslim societies are no exception. Globalized brands are pervasive, and the landscapes of consumption are changing at a breathtaking pace. Yet Muslim consumers are not passive victims of the homogenizing forces of globalization. They actively appropriate and adapt the new commodities and spaces of consumption to their own needs and integrate them into their culture. Simultaneously, this culture is reshaped and reinvented to comply with the mechanisms of conspicuous consumption. It is these processes that this volume seeks to address from an interdisciplinary perspective. The papers in this anthology present innovative approaches to a wide range of issues that have, so far, barely received scholarly attention. The topics range from the changing spaces of consumption to Islamic branding, from the marketing of religious music to the consumption patterns of Muslim minority groups. This anthology uses consumption as a prism through which to view, and better understand, the enormous transformations that Muslim societies—Middle Eastern, South-East Asian, as well as diasporic ones—have undergone in the past few decades. Johanna Pink is a lecturer in Islamic Studies at the Free University of Berlin. Her research focuses on contemporary forms of religious debate and expression in Muslim societies. New media and popular culture are among her chief research interests.
Price Uk Gbp: 44.99 Price Us Usd: 67.99
Sample pdf (including Table of Contents)
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Sabina de Cavi’s Architecture and Royal Presence: Domenico and Giulio Cesare Fontana in Spanish Naples (1592-1627) is an exemplary interdisciplinary study of the relationship between politics and art history. No finer or more vivid investigation exists of the role of the Spanish viceroyalty in Neapolitan architecture during its formative years. It offers an unparalleled examination of the viceregal claims to legitimacy, casts brilliant light on the relationship between architecture, etiquette and ceremonial, and makes clear the critical role played in these developments by the remarkable architecture of Domenico and Giulio Cesare Fontana.
David Freedberg, Pierre Matisse Professor of the History of Art, Columbia University
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Last Updated ( Jun 23, 2009 at 11:00 AM )
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