'A Noble Unrest': Contemporary Essays on the Work of George MacDonald
Editor: Jean Webb
Date Of Publication: Apr 2007
“A Noble Unrest” is an international collection of contemporary essays on the work of the Scottish author George MacDonald (1824-1905), who was a major nineteenth century writer, principally of fairy tales and works of fantasy, predominantly for children. His work was strongly influenced by his Christian beliefs, Romanticism and his own theories of the imagination. MacDonald’s fiction, whilst categorised as fantasy, also writes into the realities of the social context, critiquing the philosophical and moral tenets of the Victorian period. The essays are by established and new scholars who work in a range of fields: children’s literature, nineteenth century studies, Modernism, literary theory, creative writing and reading habits. The collection is organized as a line of discussion working from the nineteenth century social context and MacDonald’s influence on such; the inter-relationship between fantasy and realism; fairy tale; the construction of heroism – particularly pertinent in the period of high imperialism – the similarities between MacDonald’s work and that of Joseph Conrad and notions of subjectivity. The collection concludes with essays on the relevance of MacDonald’s work for the contemporary reader. The title “A Noble Unrest” is drawn from a pertinent quotation from George MacDonald, which emphasizes the need for continuing consideration and re-consideration, here applied to the writer himself as an important literary and philosophical figure:
‘…repose is not the end of education; its end is a noble unrest, an ever renewed awaking from the dead a ceaseless questioning of the past for the interpretation of the future ...’
George MacDonald A Dish of Orts – “The Imagination: Its Functions and Culture”, 1867.
Prof. Jean Webb is Professor of International Children’s Literature at the University of Worcester. She is also Director of the International Research Centre for Children’s Literature, Literacy and Creativity. She teaches in Arts Humanities and Social Sciences and runs the research student and research supervisor training programmes for the Graduate Research School and the MA in Children’s Literature: An International Perspective.
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From Border States in the Work of Tom Mac Intyre: A Paleo-Postmodern Perspective
''Catriona Ryan has more than achieved what she set out to do.She has emphatically presented Tom Mac Intyre as a writer with a distinctive voice who not only provides a crucial link in the chain that goes back through Kavanagh to Yeats, but as a bridging figure, a transgressive author whose reflections on the Irish literary scene, and on writing more generally, have much to tell us about the ways in which constrictive critical currents can cut off living literary streams. It is clear from Catriona Ryan's painstaking excavation that Mac Intyre has been wrongly neglected. Her thoughtful and perceptive critical intervention will remedy that wrong.''
- Willy Maley, Litteraria Pragensia, 22:44 (2013), 131-134, p. 134.
“This is a critically independent piece of work that very much constructs and defines its own project, and maps an intellectual terrain of its own. It is an impressively original and also critically self-assured piece. It is marked by a sense of intellectual brio and also by the excitement of discovery.”
– Dr Steven Vine, Swansea University
“Since Tom Mac Intyre is a writer and dramatist who has received very little critical attention, this work intervenes in an under-researched area and offers an innovative and valuable extension of the frontier of knowledge in the field of Irish literary and dramatic studies.”
– Dr Aidan Arrowsmith, Manchester Metropolitan University