A Century of the Marx Brothers
Editor: Joseph Mills
Date Of Publication: Aug 2007
In 1905 Julius Marx began his vaudeville career with the singing group The Leroy Trio and was abandoned in the middle of the tour. It was an inauspicious start for the person who would become "Groucho." A hundred years later, the Marx Brothers have permeated our culture from the plastic noses and glasses worn at parties to a Smithsonian exhibition which explains DNA recombination using A Night at the Opera. Although they completed relatively few films together, the brothers have become icons, recognizable even to people who have never seen their movies. Most scholarly work on the Marx Brothers has focused on biographical aspects of their careers and lives; A Century of the Marx Brothers suggests a myriad of other useful approaches to their film and stage productions. The collection's eleven essays examine the Marx Brothers' work from a number of critical perspectives ranging from reader-response theory to film semiotics. The contributors include international scholars in a variety of fields, such as literature, cultural studies, performance studies, and film history.
A faculty member at the North Carolina School of the Arts, Joseph Mills has written on Woody Allen, James Thurber, Richard Brautigan, Mark Twain and other American humorists. He earned his Ph.D. in American Literature from the University of California, Davis.
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From Border States in the Work of Tom Mac Intyre: A Paleo-Postmodern Perspective
''Catriona Ryan has more than achieved what she set out to do.She has emphatically presented Tom Mac Intyre as a writer with a distinctive voice who not only provides a crucial link in the chain that goes back through Kavanagh to Yeats, but as a bridging figure, a transgressive author whose reflections on the Irish literary scene, and on writing more generally, have much to tell us about the ways in which constrictive critical currents can cut off living literary streams. It is clear from Catriona Ryan's painstaking excavation that Mac Intyre has been wrongly neglected. Her thoughtful and perceptive critical intervention will remedy that wrong.''
- Willy Maley, Litteraria Pragensia, 22:44 (2013), 131-134, p. 134.
“This is a critically independent piece of work that very much constructs and defines its own project, and maps an intellectual terrain of its own. It is an impressively original and also critically self-assured piece. It is marked by a sense of intellectual brio and also by the excitement of discovery.”
– Dr Steven Vine, Swansea University
“Since Tom Mac Intyre is a writer and dramatist who has received very little critical attention, this work intervenes in an under-researched area and offers an innovative and valuable extension of the frontier of knowledge in the field of Irish literary and dramatic studies.”
– Dr Aidan Arrowsmith, Manchester Metropolitan University