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A Foucault for the 21st Century: Governmentality, Biopolitics and Discipline in the New Millennium
Editor: Sam Binkley and Jorge Capetillo
Date Of Publication: Apr 2009
Isbn13: 978-1-4438-0444-8
Isbn: 1-4438-0444-4
How relevant is Foucault’s social thought to the world we inhabit today?

This collection comprises several essays considering the contemporary relevance of the work of Michel Foucault. While Foucault is best remembered for his historical inquiries into the origins of “disciplinary” society in a period extending from the 16th to the 19th centuries, it seems that today, under the conditions of global modernity, the relevance of his ideas are called into question. With the increasing ubiquity of markets, the break up of centralized states and the dissolution of national boundaries, together with new scientific and political discourses on biological life, the world of today seems far removed from the bounded, disciplinary societies Foucault described in his most famous books. Yet in recent years, it has become apparent that Foucault’s thoughts on modern society have not been exhausted, and, indeed, that much remains to be explored. Within this volume, novel interpretations and thematic developments of key Foucauldian concepts are presented in the works of 24 authors. Prominent among them are new forms of neoliberal economic conduct framed by distinct governmentalities; new critical concepts of biological life reflected in Foucault’s analysis of biopower, and new theoretical treatments of the effects of subjectivation. Moreover, included among these theoretical departures are empirical studies of contemporary formations of religion and spiritual practice, consumerism, race and racism, the discourse of genetics and the life sciences, surveillance and incarceration, and new social movements. Drawn from a conference held at the University of Massachusetts, Boston bearing the same title, A Foucault for the 21st Century: Governnentality, Biopolitics and Discipline in the New Millennium both expands our understanding of Foucault’s central theoretical legacy, and applies his ideas to a range of contemporary empirical phenomena.


Sam Binkley is Assistant Professor of Sociology at Emerson College, Boston. His research considers the historical and social production of subjectivity in the context of lifestyle practices. He has studied lifestyle movements of the 1970s, contemporary anti-consumerist lifestyles, consumer cultures under Cuban socialism, and the temporality of neo-liberalism. He has also written on the theoretical contributions of Pierre Bourdieu, Norbert Elias and Michel Foucault. His recent monograph, Getting Loose: Lifestyle Consumption in the 1970s (Duke University Press, 2007), examines the role of lifestyle discourse in the shaping of reflexive subjectivity, and its ultimate influence on lifestyle branding. He currently serves as co-editor of the journal Foucault Studies, and his articles have appeared in the Journal of Consumer Culture, Time and Society, Cultural Studies, Rethinking Marxism, The European Journal of Cultural Studies and the Journal for Cultural Research. He is currently working on a new book on happiness.

Jorge Capetillo-Ponce is presently Director of Latino Studies, Associate Professor of Sociology and Research Associate at the Mauricio Gaston Institute for Latino Community Development at University of Massachusetts-Boston. Before joining UMass Boston, Dr. Capetillo-Ponce worked as Executive Director of the Mexican Cultural Institute of New York City and as advisor to Latino grassroots organizations in New York and Massachusetts. He has publications on such issues as social theory, race and ethnic relations, media studies, Latino Studies, and U.S.-Latin America relations. Dr. Capetillo-Ponce is the editor of the book Images of Mexico in the U.S. News Media. His latest publications are Deciphering the Labyrinth: The Influence of Georg Simmel on the Sociology of Octavio Paz; Politics, Ethnicity, and Bilingual Education in Massachusetts; From 'A Clash of Civilizations' to 'Internal Colonialism': Reactions to the Theoretical Bases of Samuel Huntington's 'The Hispanic Challenge’; Framing the ‘Taxes and Undocumented Workers’ Debate: A Critical Review of Texts Supporting Pro-Enforcement Policies and Practices;“Foucault, Marxism, and the Cuban Revolution: Historical and Contemporary Reflections); Foucault and the ‘New Man’: Conversations on Foucault in Cuba; On Borderlands and Bridges: An Inquiry into Gloria Anzaldúa’s Methodology (forthcoming)


"...the editors have provided a broad cross-section of essays that take Foucault's ideas in interesting directions"

P. Taylor Trussell, Independent Scholar in Foucault Studies, No. 8 Feb 2010


Price Uk Gbp: 44.99
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From Kerouac Ascending: Memorabilia of the Decade of On the Road

“Katherine Burkman, best known for her contributions to Harold Pinter, Samuel Beckett, and modern drama studies in general, now provides an essential reference for students of Jack Kerouac, Allen Ginsberg, and the beats through this memoir by Elbert Lenrow. A beloved teacher at the New School for Social Research, Lenrow met and taught Jack Kerouac in the late forties, befriending him and Allen Ginsberg as well. The book offers unprecedented insight into the beats in general and Kerouac’s development as a writer, thinker, and cultural force in American literature. Howard Cunnell, who introduces the book, notes that through his friendship with Kerouac, ‘Lenrow got to ride in what would become the most famous car in modern American literature.’ And thanks to this book, now readers of Kerouac Ascending do, too.”
—Ann C. Hall, Professor, Ohio Dominican University; President, Harold Pinter Society

“The larger significance of the sustained and sustaining friendship between Elbert Lenrow and Kerouac and Ginsberg in this book is that it exhibits Jack and Allen in ways that are seldom, if ever, represented in accounts of their lives. As a bonus, from this fine, small book, the reader can acquire an enriched and enhanced understanding of the multifarious political, literary, and artistic relationships of virtually all the principal players in the cultural scene in the mid- to late 20th century.”
—James L. Battersby, Professor Emeritus of English, Ohio State University

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—Mark S. Auburn, Professor Emeritus of English, former Senior Vice President and Provost at the University of Akron

 

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