
|
A Study in Legal History Volume III; Freedom under the Law: Lord Denning as Master of the Rolls, 1962-1982 Author: Charles Stephens Date Of Publication: Sep 2009 Isbn13: 978-1-4438-1246-7 Isbn: 1-4438-1246-3 In his book Law and Politics: The House of Lords as a Judicial Body 1800-1976 Robert Stevens wrote that Lord Denning was ‘certainly the most interesting and possibly the most important English judge of the twentieth century’. Stevens also suggested that Lord Denning was one of the ‘few English judges who clearly merits an extensive intellectual biography’. Freedom under the Law essays this task by setting the jurisprudence of Lord Denning in the context of the history of the 1960s and 1970s; assessing his writings about the law and examining his role in the Profumo affair and other major political and legal controversies of that era. Lord Denning’s approach to matters such as religion, education, the currency, the Empire, the Union, national security, the status of aliens and foreigners, social change, the family, the rights of trades unions and the role of the courts in the regulation of industrial conflict and the City of London are examined in the course of a detailed consideration of the judgments which he handed down in the Court of Appeal between 1962 and 1982. Charles Stephens was educated at Shrewsbury School and New College Oxford, of which he was a Scholar. He has been awarded an MA in Modern History by the University of Oxford and an LLB and PhD by the University of London. He is currently a Lecturer in Law at the Open University and Head of Politics at Queen’s College, Harley Street. Since 1985, he has been engaged in research on the history of Britain between 1945 and 1979. His study of the jurisprudence of Lord Denning is the first fruits of that research.
Price Uk Gbp: 39.99 Price Us Usd: 59.99
Sample pdf (including Table of Contents)
|
|
|
|
|
From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!” —Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.” —Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.” —Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education. Kari K Veblen University of Western Ontario British Journal of Music Education October 2011
|
|
Read more...
|
|
|
|