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A Wonder-book, Tanglewood Tales and Grandfather's Chair
Author: Nathaniel Hawthorne
Date Of Publication: Mar 2009
Isbn13: 978-1-4438-0214-7
Isbn: 1-4438-0214-X
This volume contains Hawthorne's three highly successful volumes of tales for children, two based on classical myth and one on New England history.
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. After graduating from university in 1825, he returned to Salem determined to become a writer and worked on short stories and historical sketches. In 1828 he published the novel Fanshawe at his own expense; it was a failure but led to a productive relationship with publisher Samuel Goodrich. He returned to writing short fiction, then worked for Goodrich as hack writer and editor. Hawthorne became a surveyor of the Boston Custom House in 1839, then left in 1841 to invest in a communal experiment, when he also married. Disappointed in communal life, he moved to Concord, Massachusetts and returned to serious writing in 1846 with Mosses from an Old Manse. After a further three years as a customs surveyor, he finally produced his first significant novel and masterwork, The Scarlet Letter, in 1850, followed by two more major novels and some of his best short stories. In 1853 a college friend became President and Hawthorne was appointed US consul at Liverpool, living in England and Italy for six years. He published a further novel and some essays on England on his return; four unfinished novels and passages from his notebooks were published on his death in 1864.
Price Uk Gbp: 9.99
Price Us Usd: 19.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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