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American Drama/Critics: Writings and Readings
Author: Bert Cardullo
Date Of Publication: Dec 2008
Isbn13: 978-1-4438-0035-8
Isbn: 1-4438-0035-X
"American Drama/Critics: Writings and Readings" is a collection of essays on acknowledged classics of American drama such as "Death of a Salesman," "The Glass Menagerie," and "Our Town," and on newer but no less esteemed works like David Mamet's "Glengarry Glen Ross" and Sam Shepard's "Buried Child." Included are interviews with the great American drama critics Eric Bentley and Stanley Kauffmann; a consideration of the practice of American dramaturgy; an analysis of the adaptation to film of several American dramas; and an examination of experimental playwriting and production in the United States, as seen in the work of Gertrude Stein as well as that of other, lesser-known avant-garde dramatists. This book's thesis is not only the generally accepted one that American drama is essentially a representational one and that its avant-garde experiments are just that--experimental detours that ultimate lead back to the main highway of realism and naturalism. The thesis of "Americam Drama/Critics" is also that the decline of American drama in the late twentieth to early twenty-first century is paralleled by, and even attributable to, the decline or disappearance of American dramatic criticism.
Bert Cardullo is Professor of Media and Communication at the Izmir University of Economics in Izmir, Turkey, where he teaches courses in film history, theory, and criticism, as well as in the interrelationship between drama and film. He is the author, editor, or translator of more than thirty books, the most recent of which are Soundings on Cinema: Speaking to Film and Film Artists and Serious Dialogue: Interviews with American Theater Critics.
Price Uk Gbp: 19.99
Price Us Usd: 29.99
Sample pdf (including Table of Contents)
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From Border States in the Work of Tom Mac Intyre: A Paleo-Postmodern Perspective
''Catriona Ryan has more than achieved what she set out to do.She has emphatically presented Tom Mac Intyre as a writer with a distinctive voice who not only provides a crucial link in the chain that goes back through Kavanagh to Yeats, but as a bridging figure, a transgressive author whose reflections on the Irish literary scene, and on writing more generally, have much to tell us about the ways in which constrictive critical currents can cut off living literary streams. It is clear from Catriona Ryan's painstaking excavation that Mac Intyre has been wrongly neglected. Her thoughtful and perceptive critical intervention will remedy that wrong.''
- Willy Maley, Litteraria Pragensia, 22:44 (2013), 131-134, p. 134.
“This is a critically independent piece of work that very much constructs and defines its own project, and maps an intellectual terrain of its own. It is an impressively original and also critically self-assured piece. It is marked by a sense of intellectual brio and also by the excitement of discovery.”
– Dr Steven Vine, Swansea University
“Since Tom Mac Intyre is a writer and dramatist who has received very little critical attention, this work intervenes in an under-researched area and offers an innovative and valuable extension of the frontier of knowledge in the field of Irish literary and dramatic studies.”
– Dr Aidan Arrowsmith, Manchester Metropolitan University
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