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Barnaby Rudge vol. II
Author: Charles Dickens
Date Of Publication: Nov 2008
Isbn13: 9781847188748
Isbn: 1-84718-874-5
Barnaby Rudge is unusual among Dickens's oeuvre in being a historical novel; set amidst the 1780 anti-Catholic Gordon Riots, it deals seriously and feelingly with issues of religious division and the death penalty as well as containing a gallery of memorable characters.
Charles Dickens (1812-1870) is one of the most widely read English writers. Dickens started his writing career as a freelance reporter for the proctors in the Court of Doctors' commons, which later served as a source of information and inspiration for many of his vivid characters and social novels. In 1832, at the age of 20, he became a reporter on The Mirror of Parliament and on The Trues Sun. Dickens reported from the gallery of the House of Commons. He soon moved to larger newspapers which presented him with the opportunity to publish a series of papers. Sketches by Boz and Pickwick Papers were published in 1836, the year he married Catherine Hogarth with whom he had 10 children and whom he divorced later in life.
Dickens wrote relentlessly with his first novels appearing in monthly instalments, a popular fashion at the time: Oliver Twist (1837-1839), Nicholas Nickleby (1838-1839), The Old Curiosity Shop (1840-1841) and Barnaby Rudge: A Tale of the Riots of 'Eighty as part of the Master Humphrey's Clock series (1840-1841). Numerous other novels followed: David Copperfield, Bleak House, A Tale of Two Cities, Great Expectations, Our Mutual Friend, and the unfinished The Mystery of Edwin Drood. Presenting his readers with a plethora of vivid characters, Dickens's novels were a medium for social commentary as he was a fierce critic of poverty and social divisions of Victorian society. Many of his novels have been adapted for theatre, cinema and television.
Price Uk Gbp: 6.99
Price Us Usd: 10.99
Sample pdf (including Table of Contents)
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Sabina de Cavi’s Architecture and Royal Presence: Domenico and Giulio Cesare Fontana in Spanish Naples (1592-1627) is an exemplary interdisciplinary study of the relationship between politics and art history. No finer or more vivid investigation exists of the role of the Spanish viceroyalty in Neapolitan architecture during its formative years. It offers an unparalleled examination of the viceregal claims to legitimacy, casts brilliant light on the relationship between architecture, etiquette and ceremonial, and makes clear the critical role played in these developments by the remarkable architecture of Domenico and Giulio Cesare Fontana.
David Freedberg, Pierre Matisse Professor of the History of Art, Columbia University
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Last Updated ( Jun 23, 2009 at 11:00 AM )
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