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Beyond Lexical Variation in Modern Standard Arabic: Egypt, Lebanon and Morocco
Author: Zeinab Ibrahim
Date Of Publication: Apr 2009
Isbn13: 978-1-4438-0342-7
Isbn: 1-4438-0342-1
Beyond Lexical Variation in Modern Standard Arabic presents several aspects concerning Modern Standard Arabic. It analyzes the different forms of lexical variation, and the causes for these variations. This starting point led to many other vital issues related to the present state of the Arabic Language such as language planning, native speakers' identity and fears and most importantly the relationship between the different Arabic varieties: Classical, Modern Standard, and dialects. The book analyzes lexical variation comprehensively and provides deep insights on the present state of the language with some speculations on its future.
Zeinab Ibrahim is a sociolinguist specialized in Arabic sociolinguistics. She received her PhD from Georgetown University, and taught Arabic as a foreign language for many years. Her publications are mainly researches in the field of Arabic sociolinguistics. In her article “Borrowing in Modern Standard Arabic” she researched the phenomenon over twenty years in Egyptian newspapers; her article "Polysemy in the Arabic Dialects" is among the few publications investigating this aspect. “Figurative Language in the Speech Patterns of Egyptians and Americans” investigated a very important aspect in speech patterns. Most of her publications are pioneer works in these areas. In addition to several edited books, she had researched the concept of 'Heritage students of Arabic" in addition to code switching in Egyptian newspapers.
"This is a valuable contribution in the areas of Arabic lexicology and variationism in written language...It is, therefore, a pioneering attempt to identify and analyze lexical variationin the written MSA of different Arab countries."
Islam Youssef, CASTL, University of Tromso in The Linguist List 21.293 (2009)
Price Uk Gbp: 39.99
Price Us Usd: 59.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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