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Cognitive Modeling in Linguistics
Editor: Vladimir Polyakov and Valery Solovyev
Date Of Publication: Apr 2012
Isbn13: 978-1-4438-3653-1
Isbn: 1-4438-3653-2
Created as intercultural and interdisciplinary, conferences of the series “Cognitive Modeling in Linguistics” have been successfully held since 1998. Over the years, CML has visited a number of countries, attracting more and more scientists from all over the world and thus broadening the scope of its topics. The conference has worked out its scientific character and now it has a constant core of participants; and the term “cognitive modeling” has become a popular topic of high profile conferences in linguistics and artificial intelligence, which affirms the CML’s direction of movement. The present volume gathers the most outstanding and interesting articles from participants of the XIIIth International Conference “Cognitive Modeling in Linguistics”, whose studies will no doubt be of interest to both scientists who have tied their lives with linguistics, as well as to those people who treat it as a hobby. For information about CML conferences, please visit www.cml.msisa.ru
Vladimir Polyakov, PhD, is a Senior Researcher in the Department of Applied Linguistics in the Institute of Linguistics at the Russian Academy of Sciences, and Associate Professor at the National Research Technological University (MISIS) and Moscow State Linguistic University. He is Chair of the Organizing Committee of the International Conference “Cognitive Modeling in Linguistics”. His major fields of scientific research are cognitive science and modeling, computer linguistics and artificial intelligence. His projects include the database Languages of the World (www.dblang.ru) and Financial Forecasts (www.finforecast.com).
Valery Solovyev is a Professor in the Department of Computer Science at Kazan Federal University in Russia. His major fields of scientific research are cognitive linguistics, language evolution and quantitative linguistics.
Price Uk Gbp: 34.99
Price Us Usd: 52.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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