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Echoes from the Greek Bronze Age: An Anthology of Greek Thought in the Classical Age
Author: Robert D. Morritt
Date Of Publication: Nov 2010
Isbn13: 978-1-4438-2489-7
Isbn: 1-4438-2489-5
Echoes from the Greek Bronze Age is the result of much that the author has read over several years. It is a study of the thoughts and works of early thinkers, from Hecataeus the early cartographer, to Herodotus’ survey of the then “known world,” the thoughts of Anaxagoras, Xenophon’s descriptions, and the sayings of Xenophanes. Simones work on the art of memory, “The Loci” and its influence so many years later on Giordano Bruno declared as a heretic are also explored. This book will interest readers who enjoy history, archaic scientific observations and those who desire a good read, rather than that found within a turgid Classical monograph. The author hopes that the reader will enjoy this book as much as he enjoyed writing it.
Robert D. Morritt was born in Carlisle, Cumbria, England, and as a child grew up in Penarth, South Wales. While at school he wrote an article on an Iron Age Hill-Fort together with the progress of archaeological excavations which was published in the local paper. He studied Prehistory and Early Agriculture at The University of Manchester.
Robert enjoys history and writing and resides on the north shore of Lake Erie. His previous book, Stones that Speak, was released in July 2010.
Price Uk Gbp: 39.99
Price Us Usd: 59.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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