|
Encoding the Past, Decoding the Future: Corpora in the 21st Century
Editor: Isabel Moskowich and Begoña Crespo
Date Of Publication: Mar 2012
Isbn13: 978-1-4438-3581-7
Isbn: 1-4438-3581-1
In the first decade of the twenty first century, Corpus Linguistics as a methodology had already proved to be an impeccable one, and is probably the most elaborate way to approach empirical studies on languages. At present this seems to be essential to formulate general theories about most aspects of languages in different stages of their evolution. Corpora and Corpus Linguistics have been present in research for a reasonably long time now. The evolution of the discipline has been assessed by conferences, new publications and all sorts of events related to the field. Therefore, it seems most convenient to offer an outline of the advances made in the past decade as well as to try and make a guess as for what is yet to come. The editors have used their experience to collect a volume that certainly will have something to offer to the scientific community. Their work as compilers of the Coruña Corpus of English Scientific Writing has made them familiar with corpus-compilation and the time-consuming tasks it entails. As users of this and other corpora, they can also appreciate the tools modern technology offers researchers and what the possibilities of exploitation are. In this way, the selection of papers contained in this volume address a wide range of scholars interested in the discipline, both corpus compilers and users.
Isabel Moskowich is a Senior Lecturer in the English Department of the University of A Coruña, Spain. She has edited several collections of essays and published papers on the history of the English language using corpus linguistics as a methodology. She is also the coordinator of MuStE, the research group compiling the Coruña Corpus of English Scientific Writing.
Begoña Crespo works as a Senior Lecturer in the English Department of the University of A Coruña, Spain. She is the author of several research articles as well as the editor of different volumes on English historical linguistics. She is a member of the MuStE research group and, therefore, she has been involved in corpus linguistics over the last few years.
Price Uk Gbp: 39.99
Price Us Usd: 59.99
Sample pdf (including Table of Contents)
|
|
|
|
|
From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
|
|
Read more...
|
|
|
|
