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Experiments in Freedom: Explorations of Identity in New South African Drama
Author: Anton Krueger
Date Of Publication: Jun 2010
Isbn13: 978-1-4438-1425-6
Isbn: 1-4438-1425-3
Experiments in Freedom examines ways in which identities have been represented in recent South African play texts published in English. It begins by exploring descriptions of identity from various philosophical, psychological and anthropological perspectives and elaborates ways in which drama is uniquely suited to represent—as well as to effect—transformations of identity. In exploring the fraught terrain of identity studies, the book examines a selection of play texts in terms of five different discourse of identity—gender, nationalism, ethnicity, syncretism and race. Instead of building a sustained thesis throughout his text, Krueger writes in short bursts about a multiplicity of topics, extending his explorations rhizomatically into the crevices of a new South African society loath to relinquish its stranglehold on the politics of identity.


Anton Krueger is a lecturer in the Department of Drama, Rhodes University. He has travelled extensively to conferences on philosophy, theatre and literature and has presented papers in South Africa, Australia, Russia, China, Amsterdam, Finland, Portugal and Argentina. He holds a DLitt from the University of Pretoria.

Anton is also well known as a playwright and his plays have been performed in nine countries, winning numerous awards along the way. He is published and represented in America by Playscripts, New York and in England by Stagescripts, London. Anton's first novel Sunnyside Sal was recently published by Deep South.


“[W]ell written...maps an important field of research with intellectual rigour and exemplary fair-mindedness, and negotiates a complicated route through a plethora of contentious artistic manifestoes and critical opinions with sophistication and maturity.”

—Prof. Robert Gordon, Goldsmiths College, University of London

“[Experiments in Freedom] shows Krueger's ability to bring an insightful critical perspective not only towards the play texts that he examines, but to theory itself...The style of writing is lucid and avoids obfuscation, the ‘(mis)management’ of syntax and tortured logic, common to some authors writing in a postmodernist vein. This in no way distracts from the complexity of the subject matter or the profound insights that the text offers.”

—Prof. Fred Hagemann, Department of Drama, University of Pretoria

“[Experiments in Freedom] has been a pleasure to read...The writing exudes clarity and the arguments are cogently rehearsed...[It] guides the reader on a journey that is concomitantly innovative, challenging and informative...written eloquently and lucidly—it deserves a valuable place in its field [and] should be a compulsory text in South African and international libraries.”

—Prof. Marcia Blumberg, York University, Toronto

“The issues [Experiments in Freedom] addresses...could not be more relevant or topical...Krueger strikes a pleasing balance between the scholarly and the polemical...His tendentiousness is transparent, bold, even refreshing: it carries the force of his conviction and his experience as a South African and a dramatist in his own right...A further strength is that his style is clear and accessible throughout. He succeeds in being scholarly without resorting to jargon or the kind of stodgy academic writing which one encounters all too frequently.”

—Prof. David Medalie, Department of English, University of Pretoria

‘…a welcome addition to the field of cultural and performance studies. His [Krueger's] thorough survey of themes in post-apartheid drama provides a multiplicity of approaches to the problematic concept of “freedom”in a South African context.

Jamie DeAngelo- Boston University, Africana Book Review June 2010


Price Uk Gbp: 39.99
Price Us Usd: 59.99

Sample pdf (including Table of Contents)

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Interesting reviews

From Kerouac Ascending: Memorabilia of the Decade of On the Road

“Katherine Burkman, best known for her contributions to Harold Pinter, Samuel Beckett, and modern drama studies in general, now provides an essential reference for students of Jack Kerouac, Allen Ginsberg, and the beats through this memoir by Elbert Lenrow. A beloved teacher at the New School for Social Research, Lenrow met and taught Jack Kerouac in the late forties, befriending him and Allen Ginsberg as well. The book offers unprecedented insight into the beats in general and Kerouac’s development as a writer, thinker, and cultural force in American literature. Howard Cunnell, who introduces the book, notes that through his friendship with Kerouac, ‘Lenrow got to ride in what would become the most famous car in modern American literature.’ And thanks to this book, now readers of Kerouac Ascending do, too.”
—Ann C. Hall, Professor, Ohio Dominican University; President, Harold Pinter Society

“The larger significance of the sustained and sustaining friendship between Elbert Lenrow and Kerouac and Ginsberg in this book is that it exhibits Jack and Allen in ways that are seldom, if ever, represented in accounts of their lives. As a bonus, from this fine, small book, the reader can acquire an enriched and enhanced understanding of the multifarious political, literary, and artistic relationships of virtually all the principal players in the cultural scene in the mid- to late 20th century.”
—James L. Battersby, Professor Emeritus of English, Ohio State University

“Always their affectionate elder, Lenrow presents Kerouac and Ginsberg mostly in their own words, making no broad claim or judgments beyond the recognition that both writers spoke for their time as Walt Whitman did for his and that they have become iconic figures for a literary movement. It is a modest but important work presenting original materials saved by a gentle, sensitive, and literate man.”
—Mark S. Auburn, Professor Emeritus of English, former Senior Vice President and Provost at the University of Akron

 

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