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Florida Studies: Proceedings of the 2010 Annual Meeting of the Florida College English Association Editor: Paul D. Reich and Maurice J. O’Sullivan Date Of Publication: Oct 2011 Isbn13: 978-1-4438-3275-5 Isbn: 1-4438-3275-8 This volume contains a variety of essays about Florida literature and history by scholars from across the state representing every kind of institution of higher learning, from community colleges to small liberal arts institutions to large universities. The first section, Pedagogy, explores the challenges facing Florida teachers at both the high school and undergraduate levels. The essays in Old Florida take on a myriad of texts that provide evaluations of Florida and its culture from the 1540s through the 1950s and include evaluations of Zora Neale Hurston, Marjorie Kinnan Rawlings, and Pat Frank. The final section, Contemporary Florida, continues to identify the state’s place within larger literary, cultural, and political traditions. Paul D. Reich is an Assistant Professor of English at Rollins College in Winter Park, Florida. His areas of teaching and research include late 19th and 20th century American literature, African American literature, the American West, and popular culture. His work has appeared in Teaching American Literature, Modern Fiction Studies, and Sense of Wonder: A Century of Science Fiction.
Maurice J. O’Sullivan is a Professor of English and the Kenneth Curry Chair in Literature at Rollins College in Winter Park, Florida. In addition to articles on literature and pedagogy, he has published The Florida Reader (1991), Crime Fiction and Films in the Sunshine State (1997), and Orange Pulp (2000). Price Uk Gbp: 39.99 Price Us Usd: 59.99
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!” —Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.” —Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.” —Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education. Kari K Veblen University of Western Ontario British Journal of Music Education October 2011
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