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Hearing Places: Sound, Place, Time and Culture
Editor: Ros Bandt, Michelle Duffy and Dolly MacKinnon
Date Of Publication: Aug 2007
Isbn13: 9781847182555
Isbn: 1-84718-255-0
Hearing Places: Sound, Place, Time, Culture

How do we hear and respond to place? 37 international artists and scholars have responded to this question from their unique perspectives, interrogating place as acoustic space where sound, place, time and culture collide. This book transcends the

boundaries of geography, time and discipline through its imaginative and scholarly writings and CD, provoking us all to pay attention to how we hear place.


Dr Ros Bandt, International sound artist, author and senior research fellow in sound culture at the Australian Centre, The University of Melbourne where she directs the Australian Sound Design Website and online gallery, dedicated to audible research and heritage of innovative sound designs in public space.

Dr Michelle Duffy, Cultural geographer based at the Australian Centre, The University of Melbourne, whose research interests include the significance of music and performance to ideas of place, belonging and alienation.

Dr Dolly MacKinnon, Research Fellow, Historical Studies, The University of Melbourne. Author of "Revealing the Early Modern Landscape of England:Earls Colne, Essex" (Ashgate forthcoming), and co-editor of "'Madness' in Australia"(2003) with Catharine Coleborne.


"Hearing Places draws together 37 scholars and artists from Australia, New Zealand, Japan, Europe, North America and beyond, bringing a plethora of voices from a variety of cultural backgrounds to explore the concept of place through an attentiveness to its sounds, and the relative significance attributed to those sounds."

Peter Blamey, Real Time, October-November 2008


Price Uk Gbp: 39.99
Price Us Usd: 59.99

Sample pdf (including Table of Contents)

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Interesting reviews

From Navigating Music and Sound Education

“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education

“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney

“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President

Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.

Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.

It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen

Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011


 

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