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Interfaces in Language 2
Editor: David Hornsby
Date Of Publication: Sep 2011
Isbn13: 978-1-4438-3165-9
Isbn: 1-4438-3165-4
This volume presents a collection of papers from the second Interfaces in Language conference, hosted from 5–7 May 2009 at the University of Kent at Canterbury by the University’s Centre for Language and Lingustic Studies (CLLS). Borne of a dissatisfaction with the rigid division of linguistics into sub-disciplines, Interfaces 2 offered specialists a platform to explore links between different approaches, and attracted participation from ten countries on four continents, addressing a wide range of themes. Contributions are arranged under three thematic headings: Categories and Orthodoxies; Contact, Conflict and Repertoire; and Language and Cognition. All, in their different ways, offer a challenge to received thinking or the rigidity of established categories. The papers explore a range of linguistic interfaces, probing the frontiers at the structural level between semantics and pragmatics, or challenging the notion of a clear division between semantics and syntax. A number of papers examine, in different ways, the interface between speech and writing, while other contributors apply the techniques of linguistic analysis to the study of translation, or to the stylistics of literature or journalism. The rejection of rigid modes of thinking has produced, in Interfaces in Language 2, an eclectic collection of thought-provoking papers of rare originality and quality.
David Hornsby has taught French, Russian and Linguistics at Kent and Cambridge Universities in the UK. His research interests have focused on variationist sociolinguistics, and challenge orthodox thinking on geolinguistic variation and change in francophone Europe. He is currently Head of English Language and Linguistics at the University of Kent.
Price Uk Gbp: 39.99
Price Us Usd: 59.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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