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Italy and EPC
Author: Ludovica Marchi
Date Of Publication: Nov 2006
Isbn13: 9781847180681
Isbn: 1-84718-068-X
This book explores the domestic determinants of Italian policy towards European Political Cooperation (EPC) and the consequences of Italy's relation to EPC up to the beginning of 2006. It uses three Mediterranean case studies revolving around different areas of cooperation. It is based on an extensive use of domestic parliamentary debates, an uncommon practice for this kind of analysis. It adapts and extends the methodological enquiry employed by Hill in his 1983 edited collection of national foreign policies and EPC. It widens and deepens the contribution made by Bonvicini to that collection. The most academically quoted works utilised as standard texts on Italy and its foreign policy (Bonvicini 1983, 1996; Francioni 1992; Savignoni 1996; Hill and Andreatta 1997, 2001; and Missiroli 2000) provide only a limited view of the interaction of the country's position on EPC with Italian links to the Mediterranean. This interaction is particularly highlighted in the present book. Furthermore, the above contributions offer solely individual chapters, and not a full study of Italy's relationship with EPC. This book will appeal to those engaged in political science, international relations and European studies.
Ludovica Marchi Balossi-Restelli holds a PhD, and is a researcher in International Relations and European Studies. She has worked for the Italian Ministry of Foreign Affairs and the European Commission.
Price Uk Gbp: 39.99
Price Us Usd: 59.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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