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L'épuisement du biographique?
Editor: Vincent Broqua and Guillaume Marche
Date Of Publication: Dec 2010
Isbn13: 978-1-4438-2572-6
Isbn: 1-4438-2572-7
Pourquoi penser le biographique ? N’est-il pas épuisé ? Le siècle passé semble l’avoir vidé de son contenu et de sa substance et l’a réduit à un état d’affaiblissement presque complet dans le domaine des sciences sociales comme dans celui de la critique littéraire. L’enjeu de cet ouvrage est d’affirmer que le biographique déborde la biographie et de considérer le biographique comme une condition du retour de la biographie au moyen de son dépassement. Cet ouvrage rassemble des travaux abordant des questions historiques et littéraires dans une multiplicité d’aires géographiques (pays de langue allemande, anglaise, espagnole et italienne) : penser la spécificité du biographique suppose de prendre en compte plusieurs disciplines et aires culturelles, diversité nécessaire, car le biographique se trouve au croisement des sciences sociales et de la littérature, au point de rencontre entre science et fiction. Ce livre propose un état de la réflexion sur le sujet.
Vincent BROQUA est Maître de conférences en littérature anglophone à l’Université Paris-Est Créteil (France). Il travaille sur les écritures expérimentales des XXe et XXIe siècles. Il a co-traduit avec Abigail Lang et Olivier Brossard Ce que être d’avant-garde veut dire de David Antin. Il est membre fondateur de Double Change (www.doublechange.org).
Guillaume MARCHE est Maître de conférences en civilisation nord-américaine à l’Université Paris-Est Créteil (France). Il travaille sur les mouvements sociaux contemporains. Il est l’auteur de plusieurs articles sur les problématiques identitaires (ethnicité, genre et sexualité) dans le mouvement lesbien, gai, bisexuel et transgenre aux Etats-Unis. Vincent BROQUA et Guillaume MARCHE sont membres de l’équipe IMAGER (EA 3958).
Price Uk Gbp: 49.99
Price Us Usd: 74.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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