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Limerick Constitutional Nationalism, 1898-1918: Change and Continuity
Author: Tadhg Moloney
Date Of Publication: Apr 2010
Isbn13: 978-1-4438-1900-8
Isbn: 1-4438-1900-X
This book analyses local politics in Limerick from 1898 to 1918, reaching back to the Parnellite split and forward to the post-independence era. It explores at local level the relevance of the commemoration of 1798, the reunification of the Irish Parliamentary Party, and the emergence of multiple cultural political movements as well as the demise of Unionism. The question posed is twofold: whether nationalist constitutional politics changed over this time period on the one hand, and whether they were driven by local or national concerns on the other. The conclusion is that the spirit of politics was intensely local, that political patronage was largely locally controlled, and that there were greater continuities than ruptures in the composition and behaviour of political elites. In fact, long-term continuities of personnel, social class and political allegiance existed side-by side with the ability of existing structures to absorb change and to adapt in the light of wider political developments and internal manoeuvres.
Tadhg Moloney holds an MA and a PhD in History from Mary Immaculate College, University of Limerick, Ireland. He has written on many aspects of Limerick’s place in the wider national context and has campaigned for the updating of the Limerick Freeman’s List. He is currently researching nineteenth and twentieth century Limerick city politics through the lens of its public buildings and monuments.
Price Uk Gbp: 39.99
Price Us Usd: 59.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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