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Love Ya Hate Ya: The Sociolinguistic Study of Youth Language and Youth Identities
Editor: J. Normann Jørgensen
Date Of Publication: May 2010
Isbn13: 978-1-4438-2061-5
Isbn: 1-4438-2061-X
This volume shows the formidable range of variation in youth language. Youth language is analyzed as a phenomenon in negotiations of identities and social relations. The contributions particularly concentrate on youth language in late modern urban societies. This is an area of study which has been gaining increasing attention in sociolinguistics over the past few years. One observation that is almost inevitable is that there is a string of similarities to be found between youths in quite different circumstances, ranging from university students in Argentina, to juvenile delinquents in Greece and to skaters in Greenland. A wide range of language situations are covered, from Danish, Cypriot Greek, Turkish, to Spanish, Greenlandic, Norwegian, Catalan, and of course English. The articles in this anthology document and analyze linguistic youth styles and behaviors as well as attitudes. In their totality they present a picture of youth language as functional, socially valuable, and flexible, with a special emphasis on identity negotiations.
J. Normann Jørgensen is Professor in the Department of Nordic Studies and Linguistics at the University of Copenhagen. He has formerly been employed with the University of Texas at Austin and the Danish University of Education. His studies in sociolinguistics includes language development and change, multilingualism, and youth language. Professor Jørgensen is former Scandinavian champion of saber fencing.
Price Uk Gbp: 39.99
Price Us Usd: 59.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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