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Marcel Duchamp and Eroticism
Editor: Marc Decimo
Date Of Publication: Mar 2007
Isbn13: 9781847181183
Isbn: 1-84718-118-X
The eye, designed to admire, can never really open wide enough.

Curiously, while Marcel Duchamp judged eroticism to be a vital dynamic in his creation, his work has never really been viewed through that particular spy hole. The need to convene researchers from all over the world, each with their own lorgnette, spyglass or whatever, has made itself keenly felt. The challenge was to "lift the veil"- and these spectators eagerly accepted.

They went through the work with a fine tooth comb (at the risk of coming away with no more than a few hairs), put their ideas to the test of the chocolate-grinder… and came up with reflections on DADA, Surrealism and its asides, the latest developments in art and life…

More than enough to prove that Duchamp, Sélavy…


Pr. Marc Decimo is a linguist and an art historian. He is also a Regent of the College de Pataphysique. He has published numerous books about Marcel Duchamp, Jean-Pierre Brisset, Outsiders of Art, litterature of the Insane and history of linguistics. He is currently working at the University of Orleans.


"Marc Decimo's compilation includes twenty research papers on Duchamp by scholars, artists and curators from a wide variety of specialisms and backgrounds as well as new voices to the discipline.

Many of the other authors will be immediately recognizable to the Duchamp scholar in particular, and even to the art historian in general, though an encouraging aspect is the inclusion of early career academics. The quality of this collection of essays is generally high and a number of papers demonstrate an exceptional handling of the subject and are therefore particularly worthy of mention.

Catriona McAra, Surrealism as Epistemology,Association of Art Historians 2011


Price Uk Gbp: 39.99
Price Us Usd: 59.99

Sample pdf (including Table of Contents)

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“Katherine Burkman, best known for her contributions to Harold Pinter, Samuel Beckett, and modern drama studies in general, now provides an essential reference for students of Jack Kerouac, Allen Ginsberg, and the beats through this memoir by Elbert Lenrow. A beloved teacher at the New School for Social Research, Lenrow met and taught Jack Kerouac in the late forties, befriending him and Allen Ginsberg as well. The book offers unprecedented insight into the beats in general and Kerouac’s development as a writer, thinker, and cultural force in American literature. Howard Cunnell, who introduces the book, notes that through his friendship with Kerouac, ‘Lenrow got to ride in what would become the most famous car in modern American literature.’ And thanks to this book, now readers of Kerouac Ascending do, too.”
—Ann C. Hall, Professor, Ohio Dominican University; President, Harold Pinter Society

“The larger significance of the sustained and sustaining friendship between Elbert Lenrow and Kerouac and Ginsberg in this book is that it exhibits Jack and Allen in ways that are seldom, if ever, represented in accounts of their lives. As a bonus, from this fine, small book, the reader can acquire an enriched and enhanced understanding of the multifarious political, literary, and artistic relationships of virtually all the principal players in the cultural scene in the mid- to late 20th century.”
—James L. Battersby, Professor Emeritus of English, Ohio State University

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—Mark S. Auburn, Professor Emeritus of English, former Senior Vice President and Provost at the University of Akron

 

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