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Negotiating a Meta-Pedagogy: Learning from Other Disciplines
Editor: Emily Golson and Toni Glover
Date Of Publication: May 2009
Isbn13: 978-1-4438-0557-5
Isbn: 1-4438-0557-2


Emily Golson is a Professor of Rhetoric and Composition at the American University in Cairo. She has published articles and book chapters on teaching first year and advanced composition, computers and composition, assessment, and TA training in works such as the Journal of General Education, Journal of Advanced Composition, Computers and Composition, Kairos, Comp Tales, and Strategies for Teaching First-Year Composition. She has worked as both a Writing Center and Writing Program Director and is currently on leave from the University of Northern Colorado to build the first Department of Rhetoric and Composition in North Africa and the Middle Est.

Toni Glover received her Ph.D. from the University of Texas at Dallas. She is an Associate Professor of English and Director of Composition at The University of Scranton in Pennsylvania. She has researched and written about affect and cognition as complimentary components of rhetorical theory, linguistic theory, educational theory and curriculum design. Her latest articles address how today’s evolving educational paradigm allows us to develop affective pedagogies in an effort to ‘teach the whole student.’ Her ability to unite the strands of administrative work and scholarship remains the cornerstone of an always expanding meta-pedagogy.


"A vital new resource for rhetoric and composition teachers and writing program administrators has arrived. In the twenty years I have been training teachers and tutors of writing, there have been few collections that specifically address the training of teachers of composition. While excellent, such collections are often not updated to reflect the most current research in rhetoric and composition, especially those theoretical and pedagogical influences thatNegotiating a Meta-Pedagogy includes. It is not surprising, then, that training composition teachers is often dependent upon cobbled-together coursepacks and anecdotal pedagogy.. The field needs this book, and each contribution the editors have chosen significantly helps ratchet-up the pedagogy of pedagogy—and now rhetoric, long considered a meta-discipline by those of us in the field, has an official meta-pedagogy resource to call its own."

—Cynthia Haynes, Clemson University

“Negotiating a Meta-Pedagogy is a book that licenses us to put off our disciplinary togas and engage in a kind of saturnalia—an upending of the intellectual and historical constraints on the construction of composition theory. In the heat of defining a discipline, we in rhetoric-composition may have tended to the purist, though, of course, there has always been a healthy interest in cross-curricular, interdisciplinary, multifaceted learning approaches; this book is an outcome of that sustained and sustaining intellectual curiosity. Collected here are many refreshing, challenging, innovative, creative forays into the extracurriculum of composition pedagogy, showing us that sometimes there is something new under the sun.”

Jeanne Gunner, Chapman University


Price Uk Gbp: 19.99
Price Us Usd: 29.99

Sample pdf (including Table of Contents)

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“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education

“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney

“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President

Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.

Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.

It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen

Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
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