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New Perspectives in Greek Linguistics
Editor: Nikolaos Lavidas, Elissavet Nouchoutidou and Marietta Sionti
Date Of Publication: Nov 2008
Isbn13: 978-1-4438-0008-2
Isbn: 1-4438-0008-2
New Perspectives in Greek Linguistics is a selection of papers presenting some of the ongoing research in Greek Linguistics. The contributions in this volume, which have their origin in the 4th Athens Postgraduate Conference in Linguistics, refer to various theoretical frameworks and cover a wide range of topics (from phonology of dialects to acquisition of syntax); however, they share the common reference to Greek and Theoretical Linguistics. The second common feature is a tendency to investigate already known problems using new methods, considering different factors from previous research or introducing innovative ideas. The volume is dedicated to Professor Gaberell Drachman and Professor Angeliki Malikouti-Drachman as a small token of gratitude for their ceaseless presence and their contribution to Theoretical Linguistics, to Greek Linguistics and to postgraduate studies in Linguistics in Greece. This volume is of particular interest to linguists working on various areas of Greek Linguistics, especially those who would like to keep up with ongoing research. It presents an opportunity to see the application of linguistic theory in Greek and the current comparative research.
Nikolaos Lavidas is a lecturer in Historical Linguistics at the University of Thessaloniki. His research interests include historical change, syntactic theory and syntax-semantics interface. Elissavet Nouchoutidou is a doctoral student in Linguistics at the University of Athens. Her work deals with issues in language acquisition. Marietta Sionti is a doctoral student in Linguistics at the University of Athens. Her research interests comprise corpus linguistics, neurolinguistics and teaching Greek as a first language.
Price Uk Gbp: 34.99
Price Us Usd: 52.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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