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Old Armenian Songs: A Nineteenth Century Compilation by Ghewond Alishan
Editor: Andy Nercessian
Date Of Publication: Jan 2002
Isbn13: 9781904303008
Isbn: 1-904303-005
Old Armenian Songs: A Nineteenth Century Collection by Ghewond Alishan, edited by Andy Nercessian. Hardback, iii + 90pp, ISBN 1-904303-00-5, EAN 9781904303008, 22 x 14cm, £29.50, $39.00. Includes introduction by Andy Nercessian, songs in original Armenian, songs in original English translation, original and new footnotes, and index. The collection of songs presented here was first published in 1852 in Venice, as part of a project to preserve Armenian culture. The collection was made from Armenian manuscripts held at the Armenian monastery in San Lazzaro, dating from the 14th to 18th centuries, and is therefore of great value for historical ethnomusicologists, historians, and Armenologists in general. Andy Nercessian introduces the collection, and puts the contents in perspective through annotations which complement the original footnotes made by Ghewond Alishan. Some of the songs are well-known folk songs commonly performed by singers and folk musical ensembles in Armenia today, for example, Groung (Crane). In addition, there are wedding songs, laments, songs about foreign oppression, and love songs.
Ghewond Alishan is the leading Armenian romanticist of the nineteenth century. Andy Nercessian is supervisor of ethnomusicology at the University of Cambridge, UK.
Price Uk Gbp: 4.99
Price Us Usd: 7.99
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From Kerouac Ascending: Memorabilia of the Decade of On the Road
“Katherine Burkman, best known for her contributions to Harold Pinter, Samuel Beckett, and modern drama studies in general, now provides an essential reference for students of Jack Kerouac, Allen Ginsberg, and the beats through this memoir by Elbert Lenrow. A beloved teacher at the New School for Social Research, Lenrow met and taught Jack Kerouac in the late forties, befriending him and Allen Ginsberg as well. The book offers unprecedented insight into the beats in general and Kerouac’s development as a writer, thinker, and cultural force in American literature. Howard Cunnell, who introduces the book, notes that through his friendship with Kerouac, ‘Lenrow got to ride in what would become the most famous car in modern American literature.’ And thanks to this book, now readers of Kerouac Ascending do, too.”
—Ann C. Hall, Professor, Ohio Dominican University; President, Harold Pinter Society
“The larger significance of the sustained and sustaining friendship between Elbert Lenrow and Kerouac and Ginsberg in this book is that it exhibits Jack and Allen in ways that are seldom, if ever, represented in accounts of their lives. As a bonus, from this fine, small book, the reader can acquire an enriched and enhanced understanding of the multifarious political, literary, and artistic relationships of virtually all the principal players in the cultural scene in the mid- to late 20th century.”
—James L. Battersby, Professor Emeritus of English, Ohio State University
“Always their affectionate elder, Lenrow presents Kerouac and Ginsberg mostly in their own words, making no broad claim or judgments beyond the recognition that both writers spoke for their time as Walt Whitman did for his and that they have become iconic figures for a literary movement. It is a modest but important work presenting original materials saved by a gentle, sensitive, and literate man.”
—Mark S. Auburn, Professor Emeritus of English, former Senior Vice President and Provost at the University of Akron
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