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Plays Vol. I Author: Henry Fielding Date Of Publication: Jan 2010 Isbn13: 978-1-4438-1739-4 Isbn: 1-4438-1739-2 Fielding had a successful though controversial career as a playwright, which was cut short by the introduction of theatre censorship, preventing him continuing his most successful line of writing, political satire and burlesque. These three volumes collect his entire output for the stage. Henry Fielding was born in Somerset in 1707, of an aristocratic family, and educated at Eton and in the law at London. Disputed inheritance leaving him short of money, he sought a living as a playwright, writing 25 plays between 1728 and 1737, across a wide generic range, though his biggest successes were satirical, notably The Tragedy of Tragedies (1730-1). This career was cut short by the introduction of theatre censorship, and Fielding both continued his legal studies and edited comic-political journals. A gift for parody led him to start writing novels in response to the huge success of Richardson's Pamela, Joseph Andrews (1742) openly referring to the former. It was followed by Jonathan Wild, Tom Jones and Amelia; the four have earned Fielding the reputation of 'the father of the modern novel'. They are characterised by scathing social critique, impatience with hypocrisy, literary incompetence and pretension, and ambitious but scrupulous plotting. Fielding was appointed a Justice of the Peace for Middlesex and Westminster in 1748, and many of his later works are essays connected with the social abuses he sought to counter in that post; he was also responsible for establishing Britain's first police force. Henry Fielding died in 1754 in Lisbon, where he had travelled for his health.
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Sabina de Cavi’s Architecture and Royal Presence: Domenico and Giulio Cesare Fontana in Spanish Naples (1592-1627) is an exemplary interdisciplinary study of the relationship between politics and art history. No finer or more vivid investigation exists of the role of the Spanish viceroyalty in Neapolitan architecture during its formative years. It offers an unparalleled examination of the viceregal claims to legitimacy, casts brilliant light on the relationship between architecture, etiquette and ceremonial, and makes clear the critical role played in these developments by the remarkable architecture of Domenico and Giulio Cesare Fontana.
David Freedberg, Pierre Matisse Professor of the History of Art, Columbia University
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Last Updated ( Jun 23, 2009 at 11:00 AM )
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