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Plays Vol. III
Author: Henry Fielding
Date Of Publication: Feb 2009
Isbn13: 978-1-4438-1925-1
Isbn: 1-4438-1925-5
Fielding had a successful though controversial career as a playwright, which was cut short by the introduction of theatre censorship, preventing him continuing his most successful line of writing, political satire and burlesque. These three volumes collect his entire output for the stage.


Henry Fielding was born in Somerset in 1707, of an aristocratic family, and educated at Eton and in the law at London. Disputed inheritance leaving him short of money, he sought a living as a playwright, writing 25 plays between 1728 and 1737, across a wide generic range, though his biggest successes were satirical, notably The Tragedy of Tragedies (1730-1). This career was cut short by the introduction of theatre censorship, and Fielding both continued his legal studies and edited comic-political journals. A gift for parody led him to start writing novels in response to the huge success of Richardson's Pamela, Joseph Andrews (1742) openly referring to the former. It was followed by Jonathan Wild, Tom Jones and Amelia; the four have earned Fielding the reputation of 'the father of the modern novel'. They are characterised by scathing social critique, impatience with hypocrisy, literary incompetence and pretension, and ambitious but scrupulous plotting. Fielding was appointed a Justice of the Peace for Middlesex and Westminster in 1748, and many of his later works are essays connected with the social abuses he sought to counter in that post; he was also responsible for establishing Britain's first police force. Henry Fielding died in 1754 in Lisbon, where he had travelled for his health.



Price Uk Gbp: 15.99
Price Us Usd: 23.99

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Interesting reviews

From Kerouac Ascending: Memorabilia of the Decade of On the Road

“Katherine Burkman, best known for her contributions to Harold Pinter, Samuel Beckett, and modern drama studies in general, now provides an essential reference for students of Jack Kerouac, Allen Ginsberg, and the beats through this memoir by Elbert Lenrow. A beloved teacher at the New School for Social Research, Lenrow met and taught Jack Kerouac in the late forties, befriending him and Allen Ginsberg as well. The book offers unprecedented insight into the beats in general and Kerouac’s development as a writer, thinker, and cultural force in American literature. Howard Cunnell, who introduces the book, notes that through his friendship with Kerouac, ‘Lenrow got to ride in what would become the most famous car in modern American literature.’ And thanks to this book, now readers of Kerouac Ascending do, too.”
—Ann C. Hall, Professor, Ohio Dominican University; President, Harold Pinter Society

“The larger significance of the sustained and sustaining friendship between Elbert Lenrow and Kerouac and Ginsberg in this book is that it exhibits Jack and Allen in ways that are seldom, if ever, represented in accounts of their lives. As a bonus, from this fine, small book, the reader can acquire an enriched and enhanced understanding of the multifarious political, literary, and artistic relationships of virtually all the principal players in the cultural scene in the mid- to late 20th century.”
—James L. Battersby, Professor Emeritus of English, Ohio State University

“Always their affectionate elder, Lenrow presents Kerouac and Ginsberg mostly in their own words, making no broad claim or judgments beyond the recognition that both writers spoke for their time as Walt Whitman did for his and that they have become iconic figures for a literary movement. It is a modest but important work presenting original materials saved by a gentle, sensitive, and literate man.”
—Mark S. Auburn, Professor Emeritus of English, former Senior Vice President and Provost at the University of Akron

 

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