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Popular Media and Communication: Essays on Publics, Practices and Processes
Editor: Karen Ross and Stuart Price
Date Of Publication: Aug 2008
Isbn13: 9781847186263
Isbn: 1-84718-626-2
This collection of essays has its origins in the MeCCSA 2007 conference held in Coventry in January that year. Like most edited volumes which emerge from conference contexts, this one comprises a richly diverse set of original papers which span the various themes and topics which together make up the fascinating field of media and communication. The book is broadly divided into four sections: media/public; media workers and professional identity; media industries and policy concerns; and political communication. The first section looks at the transformation of the private and public spheres through new technologies, and the phenomenon and implications of audience-mediated genres such as reality TV. The second part of the book looks at media practice from the point of view of both content and the self-policing of professional norms. The third part considers media policy including gender issues within the Scottish creative industries, and the history and future of the BBC charter. The last section looks a political communication and essays here are concerned with elite political rhetoric, together with a consideration of the internet’s impact on political activism. The editors believe that, within the wide-ranging subject matter our authors have considered, a common theme emerges. This is the way in which contemporary communication acts are structured by a number of closely related forces; capital, technology, social norms, resistive practices and gendered subjectivity all contribute to the production of public meaning.
Karen Ross is Professor of Media and Public Communication in the School of Politics and Communication at the University of Liverpool, UK. Her most recent books include: Rethinking Media Education: Critical Pedagogy and Identity Politics (edited, w Anita Nowak and Sue Abel - 2007); Women and Media: A Critical Introduction (w Carolyn Byerly - 2006); Gender and Newsroom Practice (edited, w Marjan de Bruin - 2004); Media and Audiences: Critical Perspectives (w Virginia Nightingale - 2003).
Stuart Price is Principal Lecturer in Media and Cultural Production, and Research Associate, International Cultural Planning and Policy Unit, De Montfort University, UK. Published articles and book chapters include pieces on modern Greek politics, speech-act theory and the Delphic oracle, and an analysis of press coverage of the Stockwell shooting. Political studies include ‘Brute Reality’, a study of war and rhetoric (in Barker, 2006), and ‘Missiles in Athens, Tanks at Heathrow’ which appeared in the journal Social Semiotics (2007).
Price Uk Gbp: 34.99
Price Us Usd: 52.99
Sample pdf (including Table of Contents)
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From Kerouac Ascending: Memorabilia of the Decade of On the Road
“Katherine Burkman, best known for her contributions to Harold Pinter, Samuel Beckett, and modern drama studies in general, now provides an essential reference for students of Jack Kerouac, Allen Ginsberg, and the beats through this memoir by Elbert Lenrow. A beloved teacher at the New School for Social Research, Lenrow met and taught Jack Kerouac in the late forties, befriending him and Allen Ginsberg as well. The book offers unprecedented insight into the beats in general and Kerouac’s development as a writer, thinker, and cultural force in American literature. Howard Cunnell, who introduces the book, notes that through his friendship with Kerouac, ‘Lenrow got to ride in what would become the most famous car in modern American literature.’ And thanks to this book, now readers of Kerouac Ascending do, too.”
—Ann C. Hall, Professor, Ohio Dominican University; President, Harold Pinter Society
“The larger significance of the sustained and sustaining friendship between Elbert Lenrow and Kerouac and Ginsberg in this book is that it exhibits Jack and Allen in ways that are seldom, if ever, represented in accounts of their lives. As a bonus, from this fine, small book, the reader can acquire an enriched and enhanced understanding of the multifarious political, literary, and artistic relationships of virtually all the principal players in the cultural scene in the mid- to late 20th century.”
—James L. Battersby, Professor Emeritus of English, Ohio State University
“Always their affectionate elder, Lenrow presents Kerouac and Ginsberg mostly in their own words, making no broad claim or judgments beyond the recognition that both writers spoke for their time as Walt Whitman did for his and that they have become iconic figures for a literary movement. It is a modest but important work presenting original materials saved by a gentle, sensitive, and literate man.”
—Mark S. Auburn, Professor Emeritus of English, former Senior Vice President and Provost at the University of Akron
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