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Proceedings from the first Bergen Workshop on Anaphora Resolution (WAR I) Editor: Christer Johansson Date Of Publication: Mar 2007 Isbn13: 9781847181329 Isbn: 1-84718-132-5 This book presents recent research in the fields of anaphora resolution and co-reference. The contributions cover a wide range of approaches, most of which involve computational models or machine- learning techniques. The basic problems of referent analysis of text are also treated. Examples of applications include answer extraction for Q&A systems, and processing ontological information. One experiment describes the development of pronominal anaphora resolution for Tamil, using a centering approach compared to a statistically induced model. Novel research is presented on how to improve the quality of co-reference chains using a “spell correction” approach. The development of a graphical web interface for presenting and editing co-reference chains is described with links to an online demonstrator. Finally, an extensive annotation guideline for coding various anaphor–antecedent pairs is given. The guideline is a good starting point for any project aiming at annotating large corpora for co-reference, and it is an essential resource to assure good agreement between annotators. The work represents international efforts, with contributors from Sweden, Norway, the Netherlands, Belgium and India. A broad view of the role of anaphora and co-reference in Language Technology and Computational Linguistics is presented. Insights and ideas for further research are presented for those interested in defining their own project within this important, but difficult, field. The book will also be useful for the beginner in the field, as it presents a wide selection of research in the area. Christer Johansson received his Ph.D. in 1997 from Lund University, Sweden. He previously held an exchange scholarship 1992-93 at the University of California at San Diego, studying Cognitive Science. At the end of 1995 he was a visiting researcher at Fukuoka Institute of Technology, Japan, funded by the Sasakawa Foundation. After receiving his Ph.D., he was a research fellow, funded by the Wenner-Gren Foundation and the Dutch Science Organization (NWO), at Rijksuniversiteit Groningen, the Netherlands, in the pioneer project “the Neurological Basis of Language” 1998–99, after which he held a JISTEC/STA grant as a research fellow at the Electro-technical Laboratory in Tsukuba, Japan, 1999-2001, working with memory based processing of language. Since 2001 he has been Faculty Staff at the University of Bergen, where he got his professorship in Computational Linguistics in 2005. Price Uk Gbp: 29.99 Price Us Usd: 44.99
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!” —Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.” —Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.” —Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education. Kari K Veblen University of Western Ontario British Journal of Music Education October 2011
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