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Proceedings of the Bath Symposium
Editor: Valerie Pellatt and Elena Minelli
Date Of Publication: Oct 2008
Isbn13: 9781847188328
Isbn: 1-84718-832-X
Bath University set up its MA course in interpreting and translating in 1966. This volume celebrates forty years of interpreter and translator training at Bath. The papers cover a range of interests, from the history and development of the world-class programme, to the use of IT in the teaching and practice of translation. Issues of teaching technique – in both interpreting and translating - quality assessment in the classroom and the workplace, questions of detailed operation, such as short term memory in interpreting and the evolution of lexis are all tackled. The volume provides an example of the way in which professionals and academics can work together in this highly specialised field. It reflects the principles and practice at the heart of the professions and the issues which relate to training and the work place in the modern world. Contributors include past and present staff and students of the Bath MAIT and professionals and trainers from other well-known institutions.
Dr. Valerie Pellatt has been a professional interpreter and translator, and taught Chinese interpreting and translating at the University of Bath. She has a PhD in Translation Studies from the University of Edinburgh, and now teaches at Newcastle University.
Dr Elena Minelli has taught Italian, MA interpreting courses, Year 1V translation and cultural studies at the University of Bath since 1998. She has a MEd in the Psychology of Education from Bristol University and a Ph D in literary translation from the University of Bath.
Price Uk Gbp: 29.99
Price Us Usd: 44.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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