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Pronouns as Elsewhere Elements: Implications for Language Acquisition
Author: Elaine Grolla
Date Of Publication: Oct 2010
Isbn13: 978-1-4438-2374-6
Isbn: 1-4438-2374-0
This book investigates the acquisition of pronominal elements by monolingual children acquiring English and Brazilian Portuguese as their native languages. Previous studies have found non-adult behavior in children’s use and comprehension of pronouns in two syntactic contexts: resumptive pronouns in relative clauses and anaphoric pronouns bound by argumental noun phrases. Children perform similarly on both contexts, incorrectly accepting these cases at chance level. The age-range when this chance performance is detected is the same in both cases, around 4 and 5 years. The present study offers a unifying account for such behavior, assuming that bound pronouns are always last resort, whose use requires trans-derivational comparison. Along the lines of previous work done by Grodzinsky and Reinhart (1993), it is claimed that such a comparison is too demanding for young children, as their limited working memory cannot handle complex computations. Two sets of experiments were carried out, testing the same children on both contexts. The results show that those behaving at chance in one context had the same behavior in the other. They also showed that children had chance level performance not only with pronouns bound by referential antecedents, but also with quantified ones. These results are compatible with the view that children’s problems with bound pronouns are related to processing difficulties rather than to the lack of some linguistic knowledge.
Elaine Grolla is Assistant Professor at the Department of Linguistics at the Universidade de São Paulo, Brazil. She received her PhD from the University of Connecticut at Storrs, USA, in 2005.
Price Uk Gbp: 34.99
Price Us Usd: 52.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
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Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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