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Reconsidering a Lost Intellectual Project: Exiles’ Reflections on Cultural Differences
Editor: Carolina Rodríguez-López and José M. Faraldo
Date Of Publication: Apr 2012
Isbn13: 978-1-4438-3649-4
Isbn: 1-4438-3649-4
This book explores an aspect of the complex cultural history of 20th-century exile: the influences of transnational experiences on the views of emigrants and exiles concerning their own academic, scientific and intellectual cultures. These essays focus on the reflections of people who left their countries during the period of 1933–1945. Many of them reconsidered their own past in the old country and compared it with their actual experiences in the adopted homeland. The individual cases presented here share a similar theoretical framework. The book is divided into two sections: the first one focuses on the German and Spanish lost project, and the second one deals with the East European projects – focused on Polish and Rumanian examples above all.

From the perspective of transnational history, Merel Leeman analyzes the cases of two special exiles: George Mosse and Peter Gay. Spaniards’ American projects is the main topic of Carolina Rodríguez-López’s analysis of Spanish scholars in the US. Natacha Bolufer focuses on associations and newspapers like Liberación which paid special attention to Spanish leftists suffering from Franco’s political measures. José M. Faraldo looks at the cases of refugees from Eastern European countries – mainly from Romania and Poland – who escaped to Spain after the fall of the axis in 1945. Mihaela Albu describes the diversity and plurality of Romanian exiles in the Western world, in diverse countries of Europe and also in the US.

This book aims to encourage the dialogue and comparison among diverse exiles.


Carolina Rodríguez-López is Assistant Professor at Complutense University of Madrid. Her research interests include the history of the university (education institutions and academic elites alike), intellectual history and cultural transfers (mainly academic exiles) and historiography trends. Her publications include Tradición, autoridad y monarquía. Pío Zabala y Lera y su España bajo los Borbones (Zaragoza: Institución Fernando el Católico, 2009) and La Universidad de Madrid en el primer franquismo: ruptura y continuidad (1939–1951) (Madrid: Dykinson, 2002).

José M. Faraldo is Profesor Investigador (Ramón y Cajal Program) at the Complutense University of Madrid. His researches focus on communism, nationalism, visual and popular culture and comparative history of the European resistance to fascism and communism. His publications include La Europa Clandestina. La Resistencia contra las ocupaciones nazi y soviética (1938–1948) (Madrid: Alianza Editorial, 2011) and Europe, Nation, Communism: Essays on Poland (New York, Frankfurt: Peter Lang Verlag, 2008).



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“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
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—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President

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Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.

It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen

Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
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