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The Da Vinci Code in the Academy
Editor: Bradley Bowers
Date Of Publication: Jan 2008
Isbn13: 9781847181299
Isbn: 1-84718-129-5
As millions of readers worldwide react to Dan Brown’s The Da Vinci Code, so do many scholars. The novel has become a proxy debate for two compelling scholarly and social issues of our time: the feminist/post-feminist challenge to patriarchal authority; and the textual construction of meaning and value. Presenting the feminine as both dominant and sacred brings attention to every text which argues for dominance or divinity. Traditional scholars are being challenged to defend their disciplines and practices, to reassert the authority of their knowledge base. Postmodern scholars are finding an opportunity to explain to the world at large how texts construct meaning and maintain power structures. These essays examine resistance to the sacred feminine in religious, cultural, and literary histories. Robert Davis explores the return of the goddess to academic and popular discussions. Deanna Thompson examines the apocryphal evidence brought into the debate by the novel. Rachel Wagner looks at the larger issue of postmodern textual authority, and how Brown’s novel has brought Biblical interpretation to popular awareness. Arlette Poland reviews current feminist and academic thinking on textual versus spiritual authority regarding the feminine divine. Other essays identify the elusive and misunderstood sacred feminine in religion and literature; in church teachings and practices; in the variant Grail stories; in the mystery genre itself. Together, these essays place the reaction to these issues into broader social and contemporary contexts.
Bradley R. Bowers, Ph.D., is Professor and Chair in the Department of English & Foreign Languages at Barry University in Miami Shores, Florida. He has been a Visiting Scholar at Columbia University in New York and the American Academy in Rome. Contributing writers include scholars of language, literature, popular culture, religion, and women’s studies.
Price Uk Gbp: 24.99
Price Us Usd: 37.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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