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The Epicurean Theory of Mind, Meaning and Knowledge
Author: David Swift
Date Of Publication: Jan 2008
Isbn13: 9781847184047
Isbn: 1-84718-404-9
Ancient Greek philosopher Epicurus provided some of our most cherished assumptions about physics and ethics. He postulated an infinite universe made exclusively of atoms and void. He also treated slaves and women as equals and defined our standards of pleasure and luxury. Now David Swift turns to Epicurus for help with another significant mystery: the scientific explanation of mind. Using Epicurean ideas that our minds are in our chests and, perhaps even more radically, that meaning is understood in our sense organs he re-examines and reinterprets the works of philosophers like Descartes, Locke, Kant and Mill and scientists such as Pavlov, Freud, Skinner and Rogers. Seen in the light of the Epicurean concept, Renaissance philosophy and classic scientific psychology validate a surprisingly consistent and coherent scientific explanation of behaviour. The mechanisms of meaning, knowledge, learning and remembering are explained in terms of biological reflexes. The secrets of love, hate and loyalty are revealed as non-verbal knowledge only accessible as feelings. And success, failure, criminal and other behaviours are shown to be the results of learned experience not genetic predisposition. At last we have the possibility of a plausible biologically-based general psychological theory.
David Swift was born in England and educated in Canada (Wilfred Laurier University /72). He gave up a career in finance (insurance and banking) to focus on the question of how our minds work. This book is the result of his thirty year investigation.
Price Uk Gbp: 29.99
Price Us Usd: 44.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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