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Young Adult Literature and Culture
Editor: Harry Edwin Eiss
Date Of Publication: Apr 2009
Isbn13: 978-1-4438-0493-6
Isbn: 1-4438-0493-2
This book offers a multifaceted approach to the world of young adults, everything from Ray Schrock’s use of Walter Dean Myers’ sports stories to discuss race relations and cultural politics to Joyce Litton’s analysis of the highly popular Sisterhood of the Traveling Pants Quartet. The cover illustration is done by Joel Rudinger based on his experiences with the Inuit where he learned many of their legends and myths, resulting in his own excellent work on Sedna, the creation goddess, a story filled with deep tragedy, mystery and the world of the spirits. This mythic world slides into the discussion of Harry Eiss, one that focuses on The Isis Trilogy, best known of Monica Hughes many works, who writes, “Science fiction and fantasy in particular are valid carriers of myth for the 20th century, and most especially for young people.” Margaret Best and Susann deVries also give us literature that uses science. They begin, “The science fair project is the central metaphor and the reality in Paul Zindel’s The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1970), Christopher Paul Curtis’s Bucking the Sarge (2004), and Joyce Maynard’s The Cloud Chamber (2005). After providing an overview science fiction, Sally Sugarman offers a study of the entire genre. “For this study two hundred and thirty-nine high school students from two schools in Vermont and Massachusetts were surveyed.” Alethea K. Helbig provides an overview of her important activities promoting literature for the young. She was a seminal scholar and educator when colleges and universities were just beginning to take the study of such literature seriously, when English departments were initiating serious undergraduate and graduate classes in what previously had been seen as inferior literature. Her life itself provides us with an entertaining and historically valuable autobiographical account of a person at the center of the change that has taken and continues to take place. Jerry Loving expands the horizons of the entire collection of essays, providing a firsthand account of how the young are educated in China, including a detailed history. It begins: “I have been traveling to mainland China at least 4 to 6 times a year as a teacher or education evaluator since 2002. As the visits and years passed, I watched the education system of China slowly improve to the level my schools were like when I went to school in the 50’s and 60’s
Harry Edwin Eiss (Ph.D., University of North Dakota) is a full professor at Eastern Michigan University with many publications, including Insanity and Genius, Metaesthetics, Literature for Youth on War and Peace, Dictionary of Mathematical Games, Puzzles and Amusements, and Dictionary of Language Games, Puzzles and Amusements. He has also contributed to and edited numerous books, including Images of the Child, and Children’s Literature and Culture.
Price Uk Gbp: 34.99
Price Us Usd: 52.99
Sample pdf (including Table of Contents)
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From Navigating Music and Sound Education
“We rarely have the opportunity and time to engage with the practicalities of music teaching through the lens of evidence-based practice. This book provides us with a wonderful exception that is accessible to beginning and established teachers. It contains a wide range of stimulating and thought-provoking material that draws on real-world experiences and events, which are contextualised, informed and structured by theory. This is a powerful combination that we can visit again and again for insight and inspiration. Congratulations to all involved, particularly the editors for shaping such a valuable contribution!”
—Professor Graham F. Welch, University of London; President, International Society of Music Education
“Navigating music and sound education draws together a range of issues increasingly acknowledged to be at the basis of reflective and effective music learning and teaching: social settings, cultural dimensions, gender, indigeneity, varying cognitive approaches, inter-disciplinary connections, technology, types of learning, and creativity. It opens up areas of pedagogy that go beyond classroom methodology to acknowledge student individuality and encourage music learning and teaching grounded in the reality of students’ musical and social lives. It will be invaluable for those training to become educators and for teachers already in the field.”
—Associate Professor Peter Dunbar-Hall, University of Sydney
“This book brings an important contribution to music teacher education as it challenges the readers to rethink their paradigms of music education. It highlights the importance of preparing a reflective teacher, autonomous, creative and conscious of the multifaceted and multicultural locus in which they will work. The book also draws on the importance for music teachers to consider the context in which they work, and establish a dialog between local musical traditions, informal music practices and global trends of music teaching and learning. Most importantly, all chapters are in one way or another derived from research carried out on specific areas, thus stressing the importance of the research informed practice in music education.”
—Professor Liane Hentschke, Federal University of Rio Grande do Sul, Brazil; International Society of Music Education Immediate Past President
Many readers will appreciate Steve Dillon and Kathy Hirche’s description of the future of education in their work with dynamic technological contexts.
Navigating Music and Sound Education is a wonderful guide and resource for pre-service music teachers, for teachers in the field, and for teacher educators.
It offers a range of fresh perspectives on the state of music education as it is and as it might be. Kari K Veblen
Navigating Music and Sound Education is an ambitious project which features current research from 20 individuals whose professional identities run the gamut from musician to songwriter to student to educator to music therapist to ethnomusicologist. The book’s scope is perhaps the most exciting aspect of Navigating Music and Sound Education.
Kari K Veblen
University of Western Ontario
British Journal of Music Education
October 2011
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