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ZONA NORTE: The Post-Structural Body of Erotic Dancers and Sex Workers in Tijuana, San Diego and Los Angeles: An Auto/ethnography of Desire and Addiction
Author: Michael Hemmingson
Date Of Publication: Nov 2008
Isbn13: 978-1-4438-0010-5
Isbn: 1-4438-0010-4
Zona Norte: The Post-Structural Body of Erotic Dancers and Sex Workers in Tijuana, San Diego and Los Angeles: An Auto/ethnography of Desire and Addiction started out as an ethnographic study of prostitution on both sides of the U.S./Mexican border and, as cultural anthropologist Michael Hemmingson explains, turned inward as a study of the self, or what is referred to as “auto/ethnography” in today’s lexicon of qualitative research. The author studies himself within the culture of the Other –- he examines his feelings, memories, and reactions as he conducts his participant observations and interviews in the field, questioning why he chose to research erotic and exotic dancers, strippers, hookers, and various sex workers on both sides of an international border, revealing how the subjects are alike, and how they are different, and how they survive in their worlds. Auto/ethnography is one of the fastest growing and popular sub-fields in sociology, anthropology, and communications today. Books and anthologies are widely published, special journal issues appear each year on the subject, and there are an increasing number of dissertations in all fields of qualitative research cropping up from universities in the United States, Great Britain, Germany, Australia, and New Zealand. Zona Norte is the latest contribution to this vibrant new approach to living the ethnographic life, as both a scholar and autobiographer.
Michael Hemmingson is an independent scholar whose fieldwork in anthropology and communications centers on deviance in society and the edges of cultural exploration. His collection, Auto/ethnographies: Sex, Death, and Symbolic Interaction is published by The Borgo Press. Other academic books include Gordon Lish and His Influence on 20th Century Literature (Routledge) and Women in the Work and Life of Raymond Carver (McFarland). His articles and essays have appeared in Life Writing, Forum: Social Science Research, Journal of Sex Research, ZYZZYVA, and the San Diego Reader. He has published several novels and edited four anthologies, and his feature film, The Watermelon, was produced by LightSong Films in 2008. He lives in southern California.
Price Uk Gbp: 34.99
Price Us Usd: 52.99
Sample pdf (including Table of Contents)
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From Kerouac Ascending: Memorabilia of the Decade of On the Road
“Katherine Burkman, best known for her contributions to Harold Pinter, Samuel Beckett, and modern drama studies in general, now provides an essential reference for students of Jack Kerouac, Allen Ginsberg, and the beats through this memoir by Elbert Lenrow. A beloved teacher at the New School for Social Research, Lenrow met and taught Jack Kerouac in the late forties, befriending him and Allen Ginsberg as well. The book offers unprecedented insight into the beats in general and Kerouac’s development as a writer, thinker, and cultural force in American literature. Howard Cunnell, who introduces the book, notes that through his friendship with Kerouac, ‘Lenrow got to ride in what would become the most famous car in modern American literature.’ And thanks to this book, now readers of Kerouac Ascending do, too.”
—Ann C. Hall, Professor, Ohio Dominican University; President, Harold Pinter Society
“The larger significance of the sustained and sustaining friendship between Elbert Lenrow and Kerouac and Ginsberg in this book is that it exhibits Jack and Allen in ways that are seldom, if ever, represented in accounts of their lives. As a bonus, from this fine, small book, the reader can acquire an enriched and enhanced understanding of the multifarious political, literary, and artistic relationships of virtually all the principal players in the cultural scene in the mid- to late 20th century.”
—James L. Battersby, Professor Emeritus of English, Ohio State University
“Always their affectionate elder, Lenrow presents Kerouac and Ginsberg mostly in their own words, making no broad claim or judgments beyond the recognition that both writers spoke for their time as Walt Whitman did for his and that they have become iconic figures for a literary movement. It is a modest but important work presenting original materials saved by a gentle, sensitive, and literate man.”
—Mark S. Auburn, Professor Emeritus of English, former Senior Vice President and Provost at the University of Akron
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