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The goal of Kantian Questions is to publish original work on any topic of Kantian scholarship, as well as reflections on contemporary debates that bear the imprint of Kant’s thought. The series is published by Cambridge Scholar Publishing and comprises monographs, anthologies and translations, as well as the collection Rethinking Kant, which garners papers presented at the different Study Groups of the North American Kant Society. Kantian Questions offers a new publishing venue of the highest quality, attractive to scholars who want to reach, through the possibility of paperback editions, a readership of specialists and non-specialist alike.

General Editor

Pablo Muchnik

Advisory Board

• Karl Ameriks

• Paul Guyer

• Patricia Kitcher

• Beatrice Longuenesse

• Robert Louden

• Güenter Zöller

Guidelines for Manuscript Submission

To facilitate the peer review process, proposals should include the following information:

• A general description of the project

• A chapter outline and table of contents

• A brief discussion of the existing literature and the expected contribution to it

• An estimation of the length of the manuscript and the schedule for completion

• A chapter sample

• A curriculum vitae

To submit a proposal or inquire about the series, please contact the editor:

Professor Pablo Muchnik,

Emerson College,

Department of Communication Studies,

120 Boylston Street,

Boston, MA 02116-4624

USA

Email: pablo_muchnik@emerson.edu

Titles

• Rethinking Kant: Volume 1 (2008), edited by Pablo Muchnik

• Rethinking Kant: Volume 2 (2010), edited by Pablo Muchnik

• Rethinking Kant: Volume 3 (2011), edited by Oliver Thorndike

• On Exceeding Determination and the Ideal of Reason: Subreptitious Anthropomorphism and the Regulative Appropriation of the Noumenal for the Purpose of a Practical Unity in Kant’s Moral Theology (forthcoming), Christopher Shaw

• Imagination in Kant’s Critical Philosophy (forthcoming), Michael Thompson

Pablo Muchnik teaches at Emerson College (Boston, USA). Educated in Argentina, he received his Ph.D. from the New School for Social Research (2002) and studied a few years in Germany. He is the author of Kant's Theory of Evil: An Essay on the Dangers of Self-Love and the Aprioricity of History (Lexington Books, 2009), editor of the first two volumes of Rethinking Kant (CSP, 2008 and 2010), co-editor (with Sharon Anderson-Gold) of Kant's Anatomy of Evil (Cambridge University Press, 2010), and director of the series Kantian Questions. Muchnik is the recipient of various national and international scholarships and awards, and is currently Vice-President of the North American Kant Society.

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Interesting reviews

From Border States in the Work of Tom Mac Intyre: A Paleo-Postmodern Perspective

''Catriona Ryan has more than achieved what she set out to do.She has emphatically presented Tom Mac Intyre as a writer with a distinctive voice who not only provides a crucial link in the chain that goes back through Kavanagh to Yeats, but as a bridging figure, a transgressive author whose reflections on the Irish literary scene, and on writing more generally, have much to tell us about the ways in which constrictive critical currents can cut off living literary streams. It is clear from Catriona Ryan's painstaking excavation that Mac Intyre has been wrongly neglected. Her thoughtful and perceptive critical intervention will remedy that wrong.''
- Willy Maley, Litteraria Pragensia, 22:44 (2013), 131-134, p. 134.

“This is a critically independent piece of work that very much constructs and defines its own project, and maps an intellectual terrain of its own. It is an impressively original and also critically self-assured piece. It is marked by a sense of intellectual brio and also by the excitement of discovery.”
– Dr Steven Vine, Swansea University

“Since Tom Mac Intyre is a writer and dramatist who has received very little critical attention, this work intervenes in an under-researched area and offers an innovative and valuable extension of the frontier of knowledge in the field of Irish literary and dramatic studies.”
– Dr Aidan Arrowsmith, Manchester Metropolitan University